Modern History Furniture – The period between the end of World War II and the early 1960s brought a period of optimism and prosperity to America. John F. Kennedy became president, a man flew into space, and it seemed like it was the time when everything was possible. Gio Ponti and Carlo di Carli added sensuality to furniture not seen since the peak of Art Nouveau. Planned obsolescence seems like a good idea and disposable furniture is a favorite. Joe Colombo built a chair from polyurethane foam-covered tubes that could be separated and put in a backpack. Wendell Castle makes a white plastic chair that looks like a sand castle with only depression in the middle to sit.
In this modern history furniture, new plastic allows furniture to be formed into every imaginable form, and some that are unimaginable. Places like Superstudio and Archizoom react to advantages by making what they call Anti-design. Strange furniture to use and ugly to see, but for most designers forms follow functions and they extend to the disarmed appearance of the Modernists. For the influence of Japanese simple structures, they added bold colors, stretch fabrics and formed plywood. The use of aluminum furniture designs is very versatile.
Just as free time becomes a more important part of American culture, so designers begin to make chairs designed to bend. Informality commanding and lines stretching and moving to organic forms are only provided by new materials. Like important works Charles and Ray Eames, George Nelson in the furniture company Herman Miller departed in a style that demanded “endurance, unity, integrity and inevitable”. America, because it could quickly recover from the damage caused by World War II, led the way. Similarly, the Scandinavian countries were much less affected by war so they could start production much faster than other European countries. That is the discussion about modern history furniture.